Marcelo Drummond
Belo Horizonte (MG)
From the Obliterado [Obliterated] series, 2012
Located in a heavy-traffic road in Belo Horizonte, the Posto de Molas Paraibana announced its services through a signboard, hand-painted by the owner of the establishment. In 2012, during a movement of urban remodeling and cleaning of the Antônio Carlos avenue, local authorities requested the signboard removal. The sign painter readily fulfilled the request. However, instead of erasing the sign, he simply filled the letter counters and left them nearly legible. Reading is still possible, but the letters are gone precisely because the distinguishing element of the characters had been modified: the relationship between form and counterform. An ingenious act of revolt photographed by designer and artist Marcelo Drummond who, by turning each one of these letters into a framed picture, highlights the aesthetic expressiveness of the obliterated characters.
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list of works
Affective Urban Archeology, 2011
Always Something Between Us,
2012 to 2014
Av. Celso Garcia 2004/2014,
2004 and 2014
Floating Letters – Mapping of the Sign Painters, 2014
From the Obliterado [Obliterated] series, 2012
Half-Mile Apartment/House City/
Flow House, 2014
I <3 Peddler, 2009 and Sand Strip, 2009
Parking City, 2012 and Parking.ttf, 2012
Pixação: São Paulo Signature, 2004
list of authors
about the author
Marcelo is a graphic artist, professor of graphic arts in the Escola de Belas Artes da Universidade Federal de Minas Gerais (UFMG) and is in the process of obtaining his PhD in visual arts. He is founding member of Laboratório Piracema de Design and researcher of Grupo Gramma – Ateliê, Reflexão e Memória das Artes Gráficas. He also integrates the Núcleo de Estudos da Cultura do Impresso (Neci) and took part in several exhibitions and art shows in Brazil and abroad. The artist won important prizes, such as Bienal Ibero-Americana and Jabuti.